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Köchel catalogue
Köchel-Verzeichnis, published 1975 in East Germany

The Köchel catalogue (German: Köchel-Verzeichnis) is a chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions.

According to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626.

Köchel's original catalogue (1862) has been revised; catalogue numbers from the sixth edition are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d.

History

In the decades after Mozart's death there were several attempts to catalogue his compositions, for example by Franz Gleißner and Johann Anton André (published in 1833), but it was not until 1862 that Ludwig von Köchel succeeded in producing a comprehensive listing. Köchel's 551-page catalogue was titled Chronologisch-thematisches Verzeichniss sämmtlicher Tonwerke W. A. Mozart's (Chronological-thematic Catalogue of the Complete Musical Works of W. A. Mozart).[1] Köchel attempted to arrange the works in chronological order, but many compositions written before 1784 could only be estimated, although Leopold Mozart had compiled a partial list of his son's earlier works; Mozart's catalogue of his own compositions (begun in February 1784 with K. 449) allows relatively precise dating of many of his later works. The catalogue included the opening bars of each piece, known as an incipit. Köchel divided the corpus into a main chronology of 626 works, and five appendices (Anhänge in German), abbreviated Anh. I–V which comprise:

  • I – Lost authentic works
  • II – Fragments by Mozart
  • III – Works by Mozart transcribed by others
  • IV – Doubtful works
  • V – Misattributed works

Since Köchel published his original catalogue in 1863 (now referred to as K1), the dating of Mozart's compositions has been subject to constant revision. Many more pieces have since been found, re-dated, re-attributed and re-numbered, requiring three revised editions of the catalogue. Subsequent editions – especially the third edition (K3) by Alfred Einstein (1937), and the sixth edition (K6) by Franz Giegling, Gerd Sievers [de], and Alexander Weinmann [de] (1964) – have reflected attempts to arrange the growing list of works in a more accurate chronological order, according to various levels of scholarship.

A major shortcoming of K1 was that there was no room to expand the strictly sequential numbering in the main catalogue to allow for any new discoveries or further reassessment of existing works. For the 1937 edition (K3) Einstein (following the analyses of Théodore de Wyzewa and Georges de St. Foix) reassigned some works from the original K1 appendices into the main catalogue by interpolating numbers with a lower-case letter suffix. In K6 some of these were, per intervening scholarship, returned to re-structured appendices:

  • K. 626a
    • K. 626a I – 64 cadenzas by Mozart to his own keyboard concertos
    • K. 626a II – Cadenzas by Mozart to keyboard concertos by other composers
  • K. 626b – 42 sketches & other fragments by Mozart (replacing K3 Anh. II)
  • Anh. A – Copies by Mozart of other composers' works
  • Anh. B – Works by Mozart transcribed by others
  • Anh. C – Doubtful and misattributed vocal (C 1–10) and instrumental (C 11-30) works

For example, Divertimento for Wind Octet in E was numbered Anh. 226 in K1; Einstein placed it in the K3 main catalogue as K. 196e, between K. 196 and K. 197; K6 reassigned it again to the 'doubtful' appendix C as Anh. C 17.01. Some works in Anh. A have been identified since 1965 as by Leopold Mozart. Many works in Anh. C have since been more reliably assigned to other composers, or to Mozart himself.

Editions of Köchel's catalogue
Edition Year Editors Note
1 1862 Ludwig von Köchel Original
2 1905 Paul von Waldersee [de] Limited revision: mostly addition of pieces that had since come to light
3 1937 Alfred Einstein
4 1958 Unchanged reprint
5 1961
6 1964
  • Franz Giegling
  • Gerd Sievers
  • Alexander Weinmann
7 1965 Unchanged reprint
8 1983

List of existing Mozart compositions

To maintain as much of the original K-numbering of the list as possible, while re-ordering in the revised, chronological sequence, letters were added to the new numbers. The following list shows Köchel's original designation (K1) and the sixth edition (K6). Other addenda and supplements to the catalogue are marked Anhang. (This has been abbreviated to 'Anh.' in the list below.)

Zdroj:https://en.wikipedia.org?pojem=Köchel_catalogue
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List of Mozart compositions
K1 K6 Composition Date Age Location
1a Andante in C for Piano early 1761 5 Salzburg
1b Allegro in C for Piano early 1761 5 Salzburg
1c Allegro in F for Piano 11 December 1761 5 Salzburg
1d Minuet in F for Piano 16 December 1761 5 Salzburg
1 1e Minuet in G for Piano December 1761 – January 1762 5–6 Salzburg
1 1f Minuet in C for Piano December 1761 – January 1762 5–6 Salzburg
2 2 Minuet in F for Piano January 1762 6 Salzburg
3 3 Allegro in B-flat for Piano 4 March 1762 6 Salzburg
4 4 Minuet in F for Piano 11 May 1762 6 Salzburg
5 5 Minuet in F for Piano 5 July 1762 6 Salzburg
9a 5a Allegro in C for Piano 1764 8 Salzburg
9b 5b Andante in B-flat for Piano 1764 8 Salzburg
6 6 Violin Sonata No. 1 in C 1762–64 6–8 Salzburg or Paris
7 7 Violin Sonata No. 2 in D 1762–64 6–8 Salzburg or Paris
8 8 Violin Sonata No. 3 in B-flat January 1764 7–8 Paris
9 9 Violin Sonata No. 4 in G January 1764 7–8 Paris
10 10 Violin Sonata No. 5 in B-flat 1764 8 London
11 11 Violin Sonata No. 6 in G 1764 8 London
12 12 Violin Sonata No. 7 in A 1764 8 London
13 13 Violin Sonata No. 8 in F 1764 8 London
14 14 Violin Sonata No. 9 in C 1764 8 London
15 15 Violin Sonata No. 10 in B-flat 1764 8 London
Anh. 109b 15a – 15ss The London Sketchbook, 43 untitled pieces 1765 9 London
16 16 Symphony No. 1 in E-flat August/September 1764 8 London
Anh. 220 16a Symphony in A minor, Odense (doubtful) 1765 9 London
19 19 Symphony No. 4 in D 1765 9 London
Anh. 223 19a Symphony in F early 1765 9 London
Anh. 222 19b Symphony in C (fragment) 13 May 1765 9 London
21 19c Aria for Tenor, "Va, dal furor portata" 1765 9 London
19d Piano Sonata in C for Four-Hands (doubtful) 13 May 1765 9 London
20 20 Motet in G minor, "God is our refuge" July 1765 9 London
Anh. 206 21a Variations in A July 1765 9 London
22 22 Symphony No. 5 in B-flat December 1765 9 The Hague
23 23 Aria for soprano and orchestra "Conservati fedele" October 1765 and January 1766 9–10 The Hague
24 24 8 Variations in G on "Laat ons Juichen" 7 March 1766 10 The Hague
25 25 7 Variations in D on "Willem van Nassau" 7 March 1766 10 Amsterdam
26 26 Violin Sonata No. 11 in E-flat February 1766 10 The Hague
27 27 Violin Sonata No. 12 in G February 1766 10 The Hague
28 28 Violin Sonata No. 13 in C February 1766 10 The Hague
29 29 Violin Sonata No. 14 in D February 1766 10 The Hague
30 30 Violin Sonata No. 15 in F February 1766 10 The Hague
31 31 Violin Sonata No. 16 in B-flat February 1766 10 The Hague
32 32 Gallimathias musicum (quodlibet) early March 1766 10 The Hague
32a The Third Sketchbook (lost) Winter 1765–66 9–10 Netherlands
33 33 Kyrie in F 12 June 1766 10 Paris
33a Solos for Flute (lost) 1766 10 Lausanne
33B "Klavierstück" in F early October 1766 10 Zürich
33b Solos for Cello (lost) 1766 10 Donaueschingen
33c "Stabat mater" for 4 voices in G (lost) 1766 10 Paris or Salzburg
Anh. 199 33d Piano Sonata in G (fragment; lost) 1766 10 Salzburg
Anh. 200 33e Piano Sonata in B-flat (fragment; lost) 1766 10 Salzburg
Anh. 201 33f Piano Sonata in C (fragment; lost) 1766 10 Salzburg
Anh. 202 33g Piano Sonata in F (fragment; lost) 1766 10 Salzburg
33h Waldhornstück (lost) 1766 10 Salzburg
36 33i Recitative and aria for tenor and orchestra, "Or che il dover – Tali e cotanti sono" December 1766 10 Salzburg