The National Film Award for Best Feature Film in Bengali is one of the National Film Awards presented annually by the Directorate of Film Festivals, the organisation set up by Ministry of Information and Broadcasting, India. It is one of several awards presented for feature films and awarded with Rajat Kamal (Silver Lotus).

The National Film Awards, established in 1954, are the most prominent film awards in India that merit the best of the Indian cinema. The ceremony also presents awards for films in various regional languages.

Awards for films in seven regional language (Bengali, Hindi, Kannada, Malayalam, Marathi, Tamil and Telugu) started from 2nd National Film Awards which were presented on 21 December 1955. Three awards of "President's Silver Medal for Best Feature Film", "Certificate of Merit for the Second Best Feature Film" and "Certificate of Merit for the Third Best Feature Film" were instituted. The later two certificate awards were discontinued from 15th National Film Awards (1967).

Directed by Chitta Bose, the 1954 film Chheley Kaar was honoured with the first president's silver medal for Best Feature Film in Bengali. Certificate of Merit for Second and Third Best Feature Films in Bengali were received by Jadubhatta and Annapurnar Mandir respectively. Following is the list of Silver Lotus Award (Rajat Kamal) recipient films produced in Bengali language.

Winners

Award includes 'Rajat Kamal' (Silver Lotus Award) and cash prize. Following are the award winners over the years:

List of award films, showing the year (award ceremony), producer(s), director(s) and citation
Year	Film(s)	Producer(s)	Director(s)	Citation	Refs.
1954 (2nd)	Chheley Kaar	Charan Chitra	Chitta Bose	–	[1]
	Jadu Bhatta	Sunrise Film Distributors	Niren Lahiri	–
	Annapurnar Mandir	Chitra Mandir	Naresh Mitra	–
1955 (3rd)	Pather Panchali	Government of West Bengal	Satyajit Ray	–	[2]
	Rani Rashmoni	Chalachitra Pratishthan	Kali Prasad Ghosh	–
	Rai Kamal	Aurora Film Corporation	Subodh Mitra	–
1956 (4th)	Kabuliwala	Charuchitra	Tapan Sinha	–	[3]
	Mahakavi Girishchandra	Emkeji Productions	Madhu Bose	–
	Ek Din Ratre	R. K. Films	• Sombhu Mitra  • Amit Maitra	–
1957 (5th)	Andhare Alo	Sreemati Pictures	Haridas Bhattacharya	–	[4]
	Louha-Kapat	L. B. Films International	Tapan Sinha	–
	Harano Sur	Alochaya Productions	Ajoy Kar	–
1958 (6th)	Sagar Sangamey	De Luxe Film Distributors Ltd.	Debaki Bose	–	[5]
	Jalsaghar	Aurora Film Corporation	Satyajit Ray	–
	Daak Harkara	Agragami Productions	Agragami	–
1959 (7th)	Bicharak	Arundhati Mukherjee	Prabhat Mukherjee	–	[6]
1960 (8th)	Devi	Satyajit Ray	Satyajit Ray	–	[7]
	Ganga	Cine Art Production Pvt Ltd.	Rajen Tarafdar	–
1961 (9th)	Samapti	Satyajit Ray	Satyajit Ray	–	[8]
	Saptapadi	Uttam Kumar	Ajoy Kar	–
	Punascha	Mrinal Sen	Mrinal Sen	–
1962 (10th)	Kancher Swarga	Prokash Chandra Nan	Yatrik	–	[9]
	Nishithe	Agragami Productions	Agragami	–
1963 (11th)	Uttar Falguni	Uttam Kumar	Asit Sen	–	[10]
	Saat Paake Bandha	R. D. Bansal	Ajoy Kar	–
	Jatu Griha	Uttam Kumar	Tapan Sinha	–
1964 (12th)	Aarohi	Asim Pal	Tapan Sinha	–	[11]
	Anustup Chhanda	B. K. Productions	Pijush Bose	–
1965 (13th)	Akash Kusum	Ranjit Basu	Mrinal Sen	–	[12]
	Subarnarekha	Radheshyam	Ritwik Ghatak	–
	Raja Rammohun	Aurora Film Corporation	Bijoy Basu	–
1966 (14th)	Nayak	• R. D. Banshal  • Sharankumari Bansal	Satyajit Ray	–
1967 (15th)	Arogya Niketan	Aurora Film Corporation	Bijoy Bose	–	[13]
1968 (16th)	Apanjan	• R. N. Malhotra  • R. K. Kapur  • T. M. Shah	Tapan Sinha	–	[14]
1969 (17th)	Natun Pata	M/s Gora Pictures	Dinen Gupta	–	[15]
1970 (18th)	Malyadan	• Ajoy Kar  • Bimal Dey	Ajoy Kar	–	[16]
1971 (19th)	Nimantran		Tarun Majumdar	–
1972 (20th)	Strir Patra	Dhrupadi	Purnendu Patri	–	[17]
1973 (21st)	Ashani Sanket	Sarbeni Bhattacharya	Satyajit Ray	–	[18]
1974 (22nd)	Sonar Kella	Information and Public Relations Department, Government of West Bengal	Satyajit Ray	–	[19]
1975 (23rd)	Palanka	M/s. Filmarts, Calcutta	Rajen Tarafdar	–	[20]
1976 (24th)	Ek Je Chillo Desh	–	Tapan Sinha	–	[21][22]
1977 (25th)	No Award				[23]
1978 (26th)	Dooratwa	Buddhadeb Dasgupta	Buddhadeb Dasgupta	For a sensitive depiction of a leftist middle class intellectual's marital conflict waiting for a revolution which does not materialise.	[24]
1979 (27th)	Ek Din Pratidin	Amalendu Chakraborty	Mrinal Sen	–	[25][26]
1980 (28th)	Hirak Rajar Deshe	• Information & Cultural Affairs Department  • Government of West Bengal	Satyajit Ray	For an allegorical representation of the victory of good over evil, embellished by superb acting and haunting music.	[27]
1981 (29th)	Adalat o Ekti Meye	Dhiresh Kumar Chakraborty	Tapan Sinha	For its powerful presentation of the problems of rape and its shattering after-effects in the life of a woman.	[28]
1982 (30th)	Nagmoti	Sibaprasad Sen	Gautam Chattopadhyay	For its absorbing portrayal of an ethnic group.	[29]
1983 (31st)	Vasundhra	Sanjukta Films	Sekhar Chatterjee	For its sincere attempt to depict the struggle against social injustice.	[30]
1984 (32nd)	Ghare Baire	NFDC	Satyajit Ray	–	[31]
1985 (33rd)	Paroma	• Nirmal Kumar Guha  • Niharendu Guha  • Sukhendu Guha  • Sarojendu Guha	Aparna Sen	For a film which handles sensitively the delicate story of a woman who refuses to accept the feeling of guilt forced on her by society.	[32]
1986 (34th)	Phera	Buddhadeb Dasgupta	Buddhadeb Dasgupta	For its depiction of dilemma of a creative artiste in a world of changing values.	[33]
1987 (35th)	Antarjali Jatra	NFDC	Gautam Ghose	For creating through an event of the early 19th century a universal parable of exploitation, life and death with an underlying faith in the inevitability of change.	[34]
1988 (36th)	No Award				[35]
1989 (37th)	Ganashatru	NFDC	Satyajit Ray	For its brilliant adaptation of Ibsen's "An Enemy of the People" to highlight the dangers of current revivalism.	[36]
1990 (38th)	Atmaja	Raj Kumar Jain	Nabyendu Chatterjee	For its masterly depiction of a mother's quest, torn between the hollowness of wealth and the transcendence of human values.	[37]
1991 (39th)	Antardhan	• Nabakumar Chandra  • Swapan Kumar Mitra  • Sucheta Mitra	Tapan Sinha	For the manner in which the suspense is built and sustained throughout the film.	[38]
1992 (40th)	Tahader Katha	NFDC	Buddhadeb Dasgupta	For its most unusual and daring treatment of a very real socio-political issue in a metaphoric manner – the alienation of a freedom fighter from his country, now changed beyond recognition.	[39]
1993 (41st)	Antareen	• NFDC  • Doordarshan	Mrinal Sen	For a sensitive exploration of modern man's loneliness and the failure of human communication in a dehumanised civilization.	[40]
1994 (42nd)	Amodini	• NFDC  • Doordarshan	Chidananda Dasgupta	For a stylised and innovative period rendition of complex social relations in 18th century Bengal, integrating performances with camera movements and mise en scene.	[41]
1995 (43rd)	Yugant	NFDC	Aparna Sen	For its contemporary form and thematic content, and subtle handling of the complex subject of a broken marriage. The film has universal appeal which has great relevance in today's society.	[42]
1996 (44th)	Sanghat	Pinaki Chaudhuri	Pinaki Chaudhuri	For effectively bringing out the trials and tribulations faced by working women in contemporary society.	[43]
1997 (45th)	Dahan	• Bijay Agarwal  • Kalpana Agarwal	Rituparno Ghosh	For the way in which film portrays two young women who undergo the agony of discovering the harsh realities of their situation and society.	[44]
1998 (46th)	Asukh	D. Ramanaidu	Rituparno Ghosh	For profiling the dilemma of a film actress, at a delicate point in her life. Rejected by her lover in love with another woman, asukh is an internalised study of an actress coming to terms with multiple pressures in her life.	[45]
1999 (47th)	Paromitar Ek Din	Rajesh Agarwal	Aparna Sen	For depicting the changing temper of society and the changing balances of human relationships very sensitively portrayed. The film highlights the changing equations between a mother-in-law and daughter-in-law, who begin as adversaries and become confidantes.	[46]
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